Steven Keats plays a Russian emigre who prides himself on the way he’s molded himself into a real Yankee in the USA, though the world he lives in, New York’s Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife (Carol Kane) finally arrives in the New World, however, she has a lot of assimilating to do. This causes the tension which drives the movie along, though it maintains a fairly light atmosphere most of the time.

Jesse and Chester, two bumbling stoners, wake up one morning from a night of partying and cannot remember where they parked their car. They encounter a variety of people while looking for it, including their angry girlfriends, an angry street gang, a transexual stripper, a cult of alien seeking fanatics, and aliens in human form looking for a mystical device that could save or destroy the world.

Some thirty years ago, a working-class subculture was taking grip of cities across the UK that has left a lasting legacy. This began on the back of the mod revival of the late 1970s when notorious football firms from the cities like Liverpool, Manchester and London stole expensive designer sportswear from the countries they visited. It didn’t start with the high-street giants telling these lads what to wear. Instead, they set the trends and the high-street stores caught up. As the 1980s began in Britain, under the radar the ‘casual’ had already arrived. From Barcelona to Berlin, Milan to Moscow, teenagers today are copying fashions and a culture that developed on the streets and terraces of British cities. But how did the football casual subculture come about? What did they stand for? What made them tick? Why it’s legacy is still having an impact on today’s fashion industry.